Here I have created a promotional resume that looks professional and highlights my skills. Please see below:
Neoteric Photography aims to explore photography in an age where the image is everywhere. The image has become prolific yet easily forgotten. Hoping to find something to hold onto, something that will survive longer that it takes for pixels to appear upon a screen.
Followers
Tuesday, 23 March 2021
Biteable Video: Promotional Resume
Wednesday, 24 February 2021
Food in Art: An Exploration
In my project progress post, I stated that the next image that I was working on was about food and the end times. Therefore in this piece of research, I will discuss food in art to look at how I might represent this in my own work.
The key points I would like to explore for my own work are:
- How do other artists depict food/eating in their work?
- What can I learn from this and how will it help to inform my own work?
- Specifically, I would like to look at the composition. light and framing.
- I also want to explore the context of these works as my own will be eating in isolation in the time of Covid
Pieter Bruegel (the elder) was a member of four generations of Netherlandish artists, his work often depicted the common people and how they lived in new and bold ways which humanised his subjects. 'In order to get source material for his paintings, it's alleged that Northern Renaissance painter Pieter Bruegel disguised himself in peasant garb to sneak into events like the one above. (One of the earliest known wedding crashers, it seems.)' (First We Feast: 7th April 2015) Again he went against the tide of painters (particularly the Italian renaissance) to paint the ordinary man rather than people in high society. This particular painting of a wedding shows the simple food of soup and porridge being served with wine. Again this simple meal shows the camaraderie of the working class and togetherness through eating together.
Feedback Action Plan for End Times Project
I have created a Visme to show my action plan from feedback. This can be viewed here. Please see my Visme below this will show you the direction and actions I will take with my project work.
Wednesday, 17 February 2021
Project Progress: The End Times
As can be seen from my previous posts I have been working on the concept of end times for photographs and paintings. So far I have completed research on expressionism, the end times and I have begun on more specific research for the pictures I have planned such as the maniacal laughter and the 'lustmord' idea from Otto Dix. These test shots have shown that I still need more work on the maniacal laughter and I was reminded of the image by Jeff Wall 'Dead Troops Talk' (1992)
Collective Work
In class today we worked on a collective piece. We all had to use the following description to make an image:
'You can see a face it is a man's face, grizzly and marked, his mouth is but a black slit and his hair a nest of dirty matted strands, his eyes are emerald green, piercing and shining, looking right at you, seeing into you…’
This is my image ...
Tuesday, 16 February 2021
Maniacal Laughing: Test
I was discussing the laughter in previous posts now I wanted to test it out so I could work out how this would look. I used my Olympus Stylus SH-2 again with the film grain filter as I still want these to look gritty. These are just some quick test shots. Just one contact sheet
Monday, 15 February 2021
Disturbance: Experimentation
After the last post with my test shots, I have experimented with mixed media using the photograph. I mounted the photograph on canvas board (just using mounting spray). Then I used the monochrome colour palette shown on my folio board to experiment with the medium. Below is the original shot and then the mixed media piece.
I liked the idea of disturbance and a more painful look to the image so I created cuts to the legs and the hand appears bloody.
Death is a disturbance to those looking at it, as is pain and this is what is expressed here. Kiefer often used photographs, mixed media and incorporated writing into his works here is an early piece from the 1960s.
'In his series 'Occupations' Keifer immediately challenges the viewer to ponder once again the incomprehensible horror of the Nazi era; in the flamboyance of the Nazi 'Sieg Heil' he spares neither the viewer nor himself since he serves as the model for the saluting figure (as above)' (Kiefer A. 1987)